Boris Brejcha on high-tech minimal music-making, working only with software, and following his instincts

Besides being revered as an international touring artist, German Boris Brigsha was known for endorsing his own style of dance music: minimal, high-tech.

The term “minimal” refers to a specialized species within the four zeitgeists on Earth prior to Brechja’s time. It’s his addition of “high tech” to the title’s premise that indicates his departure from the expectations of the pre-existing scene.

When listening to Brechja’s extended discography of dozens of singles and 12 full-length albums, the most recent is 2021. Never stop dancing, it is clear that the high-tech minimalist contains elements of a variety of styles. Trance, techno effects, and even more exciting style tones like big room house play a role in the unique sound.

But minimalism encapsulates much of Breccia’s artistic identity beyond his production style. He has found uncomplicated ways to involve different aspects of his project. These methods have elevated him to one of the most sought after home and tech jobs. Where artists in his stature might invest thousands of dollars building studios with prestigious equipment, Brechja produces purely inside the box. He doesn’t own a single piece of hardware.

“When I started making music, I didn’t have the money to buy hardware. The software was only cheaper and I could start faster. In the meantime, I got used to it so well and got along with it so well that now I don’t want to change it,” MusicTech.

There are some critics who might see this as a short-sighted and restrictive approach to the limitless scene of music production, but Brechja’s great success as an artist and continued optimism as a human make it clear that a simple approach offers a great deal of freedom. Brigsha knows what works for him, and continues to take what works and expand on it.

“Musically, I can do whatever I want. There are no external guidelines,” Brechja says.

From a pure sonic perspective, Brechja’s simple approach is straightforward and straightforward. It only produces one type. High-tech minimalism has no place in record stores, and there are no other artists to compare it to.

But Brechja uses this lack of reference to his advantage. Brechja decides what’s minimalist high-tech, and takes the dance floor with him.

Tracks on Never stop dancing Like hereafter Include scary series clips while Hold your speakers Captures the full potential of raw and rapped bass lines. Hemplow It is a progressively oscillating piece that takes on a whole new look by the end of over eight minutes.

Being independent of any gender restrictions, all of these differences come as a result of Brechja’s different feelings rather than any conscious decisions to make this or that.

“I don’t think I think about it much at all,” Brega says. “It all comes from feeling. I try to do different things that I like and then try to combine them. Whether it fits together later, I don’t know beforehand.”

Brechja’s inspiration stems from its simplicity, too. He often looks no further than his immediate surroundings. Literally everything that happens in Brechja’s environment at the moment defines the music’s identity, and he used this straightforward technique to channel a level of clever contrast rarely found in clubland.

An example is the vanguard in gravity, the opening track from Brechja’s 2020 album, space diver. The basis of the story is a space and dark atmosphere, which is precisely in keeping with the album’s title. A low psytrance drives the racer’s music forward as choppy signals mimic bursts of laser cannons aboard a star cruiser.

But when the meltdown begins, the warm, vibrant piano washes away the previous acoustic settings. Suddenly the cuddly dance track became a sad love song, and the reason is simple. “The melody from the piano part was a dark and sad moment. It was raining outside and I was alone,” Brigsha says.

Boris Brigsha

This is what allows Brechja’s DJ sets to remain dynamic and interesting despite the fact that he only plays tracks from his catalog. His music is as complex as the moments in his life, and his sets are like real glimpses into his daily life.

Brigsha often opens his collections with gravity, which immediately signifies the emotional range listeners can expect from the impending flight, and then the qualitative contrast of high-tech minimalism opens the door to any number of musical scores.

Logistically, Brechja groups never fall victim to stagnation due to his absolute ability to complete new music at a fast pace. He found a working rhythm that allowed him to produce two 12-track LPs in less than two years.

Some would say Brechja’s production schedule is strict, but it’s also very minimalistic. In the music-making stages, he generally begins the idea of ​​the track on Tuesday, spends Wednesday and Thursday arranging, and by Friday tuning and mastering. If he’s not happy by Friday, the track usually goes in the trash, and the cycle starts again the following week.

Boris Brigsha

A common problem among some producers is reluctance to walk away, deciding that something is not working. Sure, old work-in-progress can amount to new ideas in the far future, but it’s much more effective than putting time and energy into exciting work.

With such a set production schedule, Brechja is clearly excited about every track he releases.

“I like to work productively. I don’t want to spend a lot of time on things that don’t make sense,” Brescia says. “I have simply noticed that it works better for me personally. If I wanted, I could take more time for a song or less.”

One element that frequently rocks Brechja’s production process is collaborations with singers. Among the 12 tracks Never stop dancingSix of them are distinguished by singing. The London-based alternative duo, Arctic Lake, provided a haunting tone for piano music house, and the remaining five tracks include vocals from Brechja’s real-life partner, Ginger.

Boris Brigsha

Ginger’s voice has been a focus on Brechja’s last two albums, and his unfettered way of producing music was an opportunity for Ginger to show her versatility as an artist.

take a rideThe first song that’s going to end Never stop dancingGinger delivers a classic spoken dance music piece that hits just before the fall: “Would you like to join me? / I’m going for a ride.” while State of mind You see Ginger applying a strong sense of tone in her melodic voice that defines the breakdown.

There’s no doubt that the real-life chemistry between Brechja and Ginger permeates the music to a much more personal level, and with their close connection, she can easily join him in his workflow.

“When I bring in Ginger for a voice, she usually joins me in the middle of the arrangement. We come up with something together and then we record it. How I can integrate that is up to me,” Brigsha says. “With outside artists, it’s always different. Sometimes I give a loop and they do a matching sound. Sometimes I get stuff ready and build the song around it. There are no limits.”

Boris Brigsha

This is the real benefit of minimalism in music – the lack of boundaries. Freedom to decide how much or how little. As more moving parts are included in a track or album, the ability to interpret meaning for both the creator and listener narrows.

Brechja gives listeners their own interpretation of the meaning behind his albums because he does not apply to them a specific theme.

“It is true that I have just released songs that I currently like. Each track in itself, of course, has meaning and tells a certain story. But the whole structure of the ‘album’ album does not follow a larger theme,” says Brigsha.

Boris Brigsha

12 tracks on never stop dancing; 12 tracks space diver. They were put together in a particular order for no other reason than Brechja loved how they seemed to be one working group. Simply. This minimal.

Perhaps this simplistic intention was the one that served as a vehicle for Brechja’s emergence. His music, groups, albums and listeners can attach any meaning they want to them. The door is open for a trip inside every time a small, high-tech track is shot through the speakers.

Or rather, the door is open to forget the meaning and symbolism. To strip out any essential topics and enjoy the moment. To dance until Brega and his Venetian carnival mask leave the floors.

it’s your choice.

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