The Audient ASP8024-HE is a large-format console featuring world-class Audient mic preamps, 56 to 152 inputs, 14 aux buses, 8 stereo subgroups, Retro Iron mix-bus processing, John Hardy 990C summing amps, split-able EQ, mix-bus compressor, and more.
The ASP8024 Heritage Edition is a new incarnation of the original ASP8024, designed and built by David Dearden. Backed by his 40 years of console design experience, which includes consoles for MCI, Soundcraft, DDA, and Midas, the ASP8024 became a modern classic having provided the foundation for Audient’s leadership in the field of cost-effective, high-quality recording desks. After 20 years in production, Audient has taken that foundation and reimagined the ASP8024 with new features and enhancements that offer a surprising level of workflow flexibility as well as new sound-shaping options on top of the ASP8024-HE’s great-sounding preamps and John Hardy 990C summing amplifiers. Based on the ASP8024’s legendary circuit blocks, Audient has returned to designer David Dearden’s roots to release the definitive version of the ASP8024; the ASP8024 Heritage Edition.
Audient ASP8024-HE—Just the Facts:
- World-class Audient mic pres, 56-152 inputs, 14 auxiliary buses, 8 stereo subgroups
- Variable mix bus
- John Hardy 990C summing amps
- 4-band split-able EQ
- Mix-bus compressor
- Inline architecture
- Comprehensive monitor control
- Monitoring-grade headphone output
- Modular construction
- Whisper-quiet power supply
- Impressive “Black Raven” vintage/modern look
ASP8024 optional extras:
- Dual-layer control (DAW and analog automation)
- Producers desk
- VESA mount option
Audient ASP8024-HE—Beneath the Surface
Audient console mic preamplifiers
Not only is the Audient mic pre renowned for being clean, punchy and musical, it is often regarded as one of the most versatile mic pres available. Its impressive dynamic range enables faithful reproduction of the sound source, with greater realism in the audible range and better blending of instruments, plus just enough color to give the signal some character.
The Audient ASP8024-HE mic pre is an all-discrete, high-grade op-amp design that delivers low, low distortion, and high common noise mode rejection (CMMR) at all gain levels, which is part of the secret of Audient design . According to designer Dave Dearden, “A successful mic pre doesn’t just have to amplify a low-level signal up to something more usable. It must also be protected against an external attack such as static, phantom power, and radio frequency interference (RFI). This is where component choice is vital, especially the low-noise transistors and even passive elements such as resistors and RFI filters.”
Audient is the only company that uses the same Class-A mic pre design throughout their entire product range. There are no upsell or down-market “based-on” preamps. When you buy an Audient, you’re getting full-on Audient sound, whether you’re in the studio with an Audient console, or on the road with an iD4 interface.
Discrete John Hardy 990C summing amps
The mix-bus summing amplifier on a console, where all signals come together to play nicely is the most crucial part of the console design. Cutting corners here results in what Abbey Road engineers called a “ship fight.” (Imagine a fight breaks among the entire crew of a battleship at sea, no place to escape.) Audi leaving upgraded the ASP8024’s summing amplifiers to the renowned American John Hardy 990C amplifiers. The 990 discrete op-amp was designed by studio tech legend Deane Jensen in 1979, which continues to be regarded as the finest op-amp available for audio applications. In 2018, the 990 discrete op-amp was inducted into NAMM’s prestigious TEChnology Hall of Fame. Interestingly enough, Deane’s company, Jensen Transformers, never made the 990. There were manufactured by The John Hardy Company in 1980-81—hence the name John Hardy 990C.
Comprehensive monitor control
The ASP8024-HE boasts a full-featured monitor control section, with artist communication, remote talkback control, an additional engineer headphone output, powerful source selection, and loudspeaker control with a short passive signal path for incredibly clear and accurate monitoring. Since you’ll be reaching for the monitor control knob a lot, Audient added the phenomenal-feeling Alps “Blue Velvet” pot and custom aluminum knob for a touch of class during everyday use.
Reference headphone amplifier
ASP8024 Heritage Edition comes with a high-current reference headphone amplifier provided as the ALT3 monitor output destination. The new design features a 250mA high-current output stage based upon class leading Burr-Brown and LM4562 high-speed amplifiers. The output is entirely DC-coupled with very low output impedance for all types of headphones. There’s only one main capacitor in the signal path for very low distortion and enhanced sonic performance.
Saving you money in more ways than just electric bills, the ASP8120 Ultra Power Supply is not only incredibly efficient, it’s also whisper-quiet, enabling it to be situated in the control room without disturbing your workflow—no need for an expensive and air- conditioned machine room. With a low noise transformer and low RPM fan cooling system our power supply is a safe choice for years to come and has helped make the ASP8024-HE more reliable than ever.
Impressive look and feel
Studios are often chosen by sight rather than by sound, as many owners have come to realize—and there’s nothing more impressive than a large-format console. And the modern/vintage look of the ASP8024-HE says, “studio to reckoned with.” Building on the modern classic as well as taking inspiration from classic pieces of gear, Audients “Black Raven” color-way, vintage knobs, chunky fader caps, and British design theme not only make the ASP8024-HE a visually stunning centerpiece but also make it is more intuitive than ever.
Audient ASP8024-HE Options
While the patchbay is technically considered an option, it’s an essential one. Not only does it bring all of the ASP8024-HE’s functions into one convenient location, including insert points, it also provides other very useful features, such as level control between +4dBu and -10dBV sources, artist fold-back, alt speakers, stereo FX returns, 144 tie lines for outboard, and the ability to send up to three parallel signals from a single source. Additionally, all connections are carried via DB-25 connectors, making Cannon or Elco crimping tools, soldering iron, and raw fingers a thing of the past. Plus, and this is a big plus, Audient has reduced the price on the patchbay to make it even more cost-effective and easier to include with your console. The savings in studio (wo)man hours alone is worth the investment.
*PAD Pro Tip: When you consider purchasing a console, always budget for a patchbay plus the cost of wiring it to your studio. Think of it as part of the cost so that you don’t end up “console poor” when the time comes to install and configure a patchbay—and we can assure you, even with a small amount of outboard, that time will come.
The Producer’s Desk provides extra real estate on your console to place a keyboard, mouse, or even a control surface at the center of your console or to one side for a second engineer. Traditionally, a producer uses one (hence the name, “producer’s desk”) to take session notes or annotate music scores alongside the engineer. There are many ways to use this option and take advantage of the beautifully included walnut script tray.
If you have two PD modules side-by-side (Double PD) it allows you to accommodate larger control surfaces, such as the Slate Raven or Avid S3 controller.
Dual Layer Control
Dual Layer Control (DLC) was designed to seamlessly integrate with your DAW and let you combine both your analog and digital workflows on the ASP8024-HE giving you complete hands-on control over your mix or recording session. It integrates seamlessly with Pro Tools, Cubase 9, and Logic X DAWs.
DLC provides you with a range of useful DAW control features within easy reach, including 8 bankable faders, transport control, track record enable, pan control, aux sends, and plug-in selection/editing—all of which enable you to navigate your session with ease.
DLC’s automated faders give you a wide range of creative options. Whether you’re adding realistic and accurate vocal rides to your mix or simply bringing your drum group up in the chorus, DLC allows you to avoid staring at the screen and painstakingly drawing in your automation levels and instead lets you work fast and efficiently.
By using DLC’s 8 channels of VCA automation you add movement and finesse during your console mix balances. The VCAs can be individually routed to subgroups 1-8 or independent DB25 i/o that can be patched to any console insert point for creative use. Try riding your hardware compressed drum parallel in the chorus or automated pre/post insert effect for wild automated distortion control with your outboard gear.
Simple and intuitive control via Faderlink
DLC is connected via Audient’s proprietary Faderlink plug-in (64-Bit AAX, VST & Audio Units) to record, edit, and recall 8-channels of VCA automation directly from your DAW session, providing visual automation of level and mute. DLC is connected via HUITM protocol. Supported DAW’s include: Cubase, Nuendo, Logic Pro X, and Pro Tools.
5.1 Surround-sound mixing
Whether you’re working on film scores or simply mixing in 5.1, the ASP510 surround-sound monitor controller integrates seamlessly with your ASP8024, providing you with an efficient, powerful and intuitive 5.1 surround sound workstation—all while using only one connection.
What the pros are saying about the ASP8024-HE
I’d prefer to have an audient console in my studio than the money equivalent of several fancy vintage rack boxes. I like the audio. I really like it. It’s a powerful tool. — PETE TOWNSHEND (Who? Yes, that Pete Townshend)
It was hard to imagine an improvement to the asp’s already clean and punchy sound, but the new john hardy 990 op amps give it extra zing and crystal clarity. — RUSS RUSSELL (Napalm Death, Dimmu Borgir)
Audient was founded in 1997 by David Dearden and Gareth Davies. Dearden started his career in 1968 as an assistant to David Manley (original founder of Manley Labs) and later became a junior maintenance engineer for Advision Studios, which led to work with studio designer Eddie Veale, building a custom console and private studio for John Lennon’s Imagine sessions, as well as studios for George Harrison, Ringo Starr, Gus Dudgeon (Elton John, David Bowie), and Chris Squire of Yes. Dearden met Audient co-founder Gareth Davies while the pair were working at Soundcraft. Upon hearing of a possible financial downturn for Soundcraft, they decided to jump ship before the pink slips arrived, finding DDA (Dearden Davies Associates) consoles in 1980.